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Introducing Premium Cables By Warm Audio At Warm, we always put customers front and center in our decision-making. You are the reason that we put so much time and effort into ensuring that the products we bring to market sound amazing, are as affordable as possible and inspire endless creativity - we’re serious about this stuff! We’re also serious about recording as an art, and we’re always looking for ways to help our customers achieve their sonic goals. With that mission in mind we partnered with Switzerland-based Gotham AG - Europe’s top producer of premium cable - to provide the cable stock for our entire new line of interconnects, and the results have exceeded our expectations! Highest Quality Possible With Warm Cables we knew that we wanted to offer the highest quality possible at a price low enough for everyone to afford, with construction robust enough that we could offer a lifetime warranty. Well known as the original supplier to some of the industry’s elite manufacturers (their 3-conductor wire was known simply as “the Neumann Cable” for decades), Gotham’s cable construction techniques and technology now represent the current state-of-the-art. We couldn’t be happier to partner with them on these new cables, and we can’t wait for you to use them! Premier Vs. Pro Warm makes two lines of cable - Premier and Professional - in order to offer the largest number of options possible in two different price ranges. Both lines take advantage of Gotham’s state-of-the-art construction, offering absolutely stellar audio performance, near-perfect signal transfer and the ultimate in reliability (which is why they both feature a lifetime warranty!). Both cable lines produce fabulous results, but the Premier line adds above-and-beyond features like gold-plated connectors, four-conductor Starquad construction for powerful rejection of EMI and Double-Reussen shielding for increased rejection of RFI. There simply is no better-sounding or more reliable cable on the planet, and Warm Cables don’t come with a gold-plated price tag - these are wires that everyone can afford! Warm Audio Premier and Pro cables are offered in XLR, XLR to TRS, TS to TS, and TS to angled TS varieties. What Does “StarQuad” Mean? A traditional balanced cable uses three cores of wire to carry the audio signals: one shielded core for the hot/positive leg, one shielded core for the cold/negative leg (which is wired in reverse polarity to the positive leg), and a plain outer wrap that functions as the ground. A balanced audio system effectively rejects most induced noise encountered along the cable’s length by removing signals that are common to both the hot and cold legs. StarQuad construction takes that concept even further, by using four cores instead of two: two cores each for the hot/positive and cold/negative legs and a single ground. This helps to further shield the audio from RFI (radio frequency interference) even more than a traditional 3-conductor cable. What Is Double-Reussen Shielding? Most cable construction techniques use an outer wrap of wire to act as the ground. Some manufacturers braid this wire, while others simply wrap the wires in a highly uniform way to shield the interior wires from interference. Double-Reussen shielding goes much further than more traditional techniques in two ways: First, the cable is wrapped with not one but TWO separate shields, and second, the outer shield is wrapped in a contrary direction to the inner shield. This creates a stronger and more complete shield from RFI for the internal cores, and can result in an astounding reduction of interference. Double-Reussen shielding is a tad more expensive to manufacture, but for those who will accept nothing but the best it represents the pinnacle of current balanced cable technology.

Out of stock

Highest Quality Possible! With Warm Cables we knew that we wanted to offer the highest quality possible at a price low enough for everyone to afford, with construction robust enough that we could offer a lifetime warranty. Well known as the original supplier to some of the industry’s elite manufacturers (their 3-conductor wire was known simply as “the Neumann Cable” for decades), Gotham’s cable construction techniques and technology now represent the current state-of-the-art. We couldn’t be happier to partner with them on these new cables, and we can’t wait for you to use them! Warm makes two lines of cable - Premier and Professional - in order to offer the largest number of options possible in two different price ranges. Both lines take advantage of Gotham’s state-of-the-art construction, offering absolutely stellar audio performance, near-perfect signal transfer and the ultimate in reliability (which is why they both feature a lifetime warranty!). Both cable lines produce fabulous results, but the Premier line adds above-and-beyond features like gold-plated connectors, four-conductor Starquad construction for powerful rejection of EMI and Double-Reussen shielding for increased rejection of RFI. There simply is no better-sounding or more reliable cable on the planet, and Warm Cables don’t come with a gold-plated price tag - these are wires that everyone can afford! Warm Audio Premier and Pro cables are offered in XLR, XLR to TRS, TS to TS, and TS to angled TS varieties. A traditional balanced cable uses three cores of wire to carry the audio signals: one shielded core for the hot/positive leg, one shielded core for the cold/negative leg (which is wired in reverse polarity to the positive leg), and a plain outer wrap that functions as the ground. A balanced audio system effectively rejects most induced noise encountered along the cable’s length by removing signals that are common to both the hot and cold legs. StarQuad construction takes that concept even further, by using four cores instead of two: two cores each for the hot/positive and cold/negative legs and a single ground. This helps to further shield the audio from RFI (radio frequency interference) even more than a traditional 3-conductor cable. Most cable construction techniques use an outer wrap of wire to act as the ground. Some manufacturers braid this wire, while others simply wrap the wires in a highly uniform way to shield the interior wires from interference. Double-Reussen shielding goes much further than more traditional techniques in two ways: First, the cable is wrapped with not one but TWO separate shields, and second, the outer shield is wrapped in a contrary direction to the inner shield. This creates a stronger and more complete shield from RFI for the internal cores, and can result in an astounding reduction of interference. Double-Reussen shielding is a tad more expensive to manufacture, but for those who will accept nothing but the best it represents the pinnacle of current balanced cable technology. What's in the box 1 x Warm Audio Premier Series XLRf-TRSm Cable - 90cm

Out of stock

At Warm, we always put customers front and center in our decision-making. You are the reason that we put so much time and effort into ensuring that the products we bring to market sound amazing, are as affordable as possible and inspire endless creativity - we’re serious about this stuff! We’re also serious about recording as an art, and we’re always looking for ways to help our customers achieve their sonic goals. With that mission in mind we partnered with Switzerland-based Gotham AG - Europe’s top producer of premium cable - to provide the cable stock for our entire new line of interconnects, and the results have exceeded our expectations! Highest Quality Possible With Warm Cables we knew that we wanted to offer the highest quality possible at a price low enough for everyone to afford, with construction robust enough that we could offer a lifetime warranty. Well known as the original supplier to some of the industry’s elite manufacturers (their 3-conductor wire was known simply as “the Neumann Cable” for decades), Gotham’s cable construction techniques and technology now represent the current state-of-the-art. We couldn’t be happier to partner with them on these new cables, and we can’t wait for you to use them! Premier Vs. Pro Warm makes two lines of cable - Premier and Professional - in order to offer the largest number of options possible in two different price ranges. Both lines take advantage of Gotham’s state-of-the-art construction, offering absolutely stellar audio performance, near-perfect signal transfer and the ultimate in reliability (which is why they both feature a lifetime warranty!). Both cable lines produce fabulous results, but the Premier line adds above-and-beyond features like gold-plated connectors, four-conductor Starquad construction for powerful rejection of EMI and Double-Reussen shielding for increased rejection of RFI. There simply is no better-sounding or more reliable cable on the planet, and Warm Cables don’t come with a gold-plated price tag - these are wires that everyone can afford! Warm Audio Premier and Pro cables are offered in XLR, XLR to TRS, TS to TS, and TS to angled TS varieties. What Does “StarQuad” Mean? A traditional balanced cable uses three cores of wire to carry the audio signals: one shielded core for the hot/positive leg, one shielded core for the cold/negative leg (which is wired in reverse polarity to the positive leg), and a plain outer wrap that functions as the ground. A balanced audio system effectively rejects most induced noise encountered along the cable’s length by removing signals that are common to both the hot and cold legs. StarQuad construction takes that concept even further, by using four cores instead of two: two cores each for the hot/positive and cold/negative legs and a single ground. This helps to further shield the audio from RFI (radio frequency interference) even more than a traditional 3-conductor cable. What Is Double-Reussen Shielding? Most cable construction techniques use an outer wrap of wire to act as the ground. Some manufacturers braid this wire, while others simply wrap the wires in a highly uniform way to shield the interior wires from interference. Double-Reussen shielding goes much further than more traditional techniques in two ways: First, the cable is wrapped with not one but TWO separate shields, and second, the outer shield is wrapped in a contrary direction to the inner shield. This creates a stronger and more complete shield from RFI for the internal cores, and can result in an astounding reduction of interference. Double-Reussen shielding is a tad more expensive to manufacture, but for those who will accept nothing but the best it represents the pinnacle of current balanced cable technology. What's in the box 1 x 1.8m Premier Series TRS Cable

The Warm Audio TB12 Tone Beast Microphone Preamplifier is designed to provide a wide range of tonal options for mic, instrument, and line-level sources, making it an indispensable tool for audio engineers, producers, and muscians. The TB12 is capable of up to 71 dB of input gain, and employs an output attenuator allowing you to drive your input signal harder for color and saturation while keeping your signal from peaking. The TB12 Tone Beast lives up to its name by allowing you to select between two different discrete op-amps, two different output transformers that can be bypassed altogether, two input impedance settings for dynamic, condenser, or ribbon mic optimization, and two different capacitors. The preamp is capable of producing colored, vintage-style tones with early break up and clean, transparent modern tones. Thanks to its front-panel Hi-Z instrument input, the preamp can be used to record DI tracks, while the rear-panel 1/4″ line input allows you to use the TB12 to provide color or warm up previously recorded tracks. The rear-panel insert send and receive 1/4″ connectors let you integrate an external signal processor, such as an EQ or compressor, into the TB12’s signal flow before the output transformers. The unit features 48V phantom power, a high-pass filter at 80 Hz, a 20 dB pad, and a polarity reverse switch. Features: Mic, Instrument & Line Inputs Up to 71 dB of Gain Output Gain Attenuator Switchable Discrete Op-Amp Switchable Input Impedance Switchable Output Transformer Switchable Capacitor 48V, Polarity Switch, 20 dB Pad More Features: Unleash The Beast! The TB12 Tone Beast Black is a fully professional preamp design with loads of gain that can effortlessly capture an array of sources very well. It is a swiss army knife full of options and tones. With top notch CineMag transformers and multiple discrete signal paths, it’s hard to beat the Tone Beast’s big, bold, fully-professional sound at this price. The Tone Beast Black is a mic pre that likes to be pushed and when pushed will colorize your signal ever so sweetly. The 2 opamps and 2 output transformers at the flip of their switches won’t appear to be much different, but as one drives the pre into harmonic distortion, the unique character of each of these components becomes apparent. The Tone Beast Black is customizable and allows users to source and swap in their own opamps. The output control on the TB12 allows you to limit the signal exiting the preamp even when pushing the gain to really hot levels, giving you maximum control. When designing the TB12 Tone Beast Black our goal was to make a microphone preamplifier affordable and jam packed full of options, without compromising the quality and design parameters that make this type of microphone preamplifier so desirable. Premium Components The TB12 “Tone Beast Black” is a fully discrete, high-voltage microphone preamplifier, utilzing CineMag USA Transformers. Have no fear of hurting the Beast, you can push it very hard into full-on distortion if you wish, and these can sound quite nice on electric guitar, bass or anything else that likes some grit. The different component options in the TB12 are subtle, but when driven into saturation are noticeable and can make a big difference to the way your final mix will sound. Home-based musicians and professional studios alike will find the Tone Beast Black to be an extremely powerful and fully professional piece of gear that is capable of warming and shaping signals/mixes in a way that is very pleasing to the ear. Specs: 71DB OF GAIN TRANSFORMER SELECTION PROVIDES BOTH STEEL AND 50% NICKEL CINEMAG OUTPUT TRANSFORMERS FOR VARYING CHARACTER TRANSFORMER BYPASS SWITCH ALLOWS FOR REMOVAL OF THE OUTPUT TRANSFORMER FROM THE CIRCUIT DISCRETE OPAMP SELECTION ALLOWS FOR CHOOSING BETWEEN A 1731(VINTAGE) AND 918(CLEANER) STYLE OPAMP. THESE ARE SOCKETED/SWAPPABLE WITH YOUR CHOICE OF 2520 6 PIN FOOTPRINT OPAMPS IMPEDANCE SWITCH LABELED TONE TO SWITCH BETWEEN 150 AND 600 OHMS INPUT IMPEDANCE 2 MEG OHM TRUE HI-Z INPUT ON FRONT PANEL SENDS INSTRUMENT SIGNAL THROUGH ENTIRE CIRCUIT INCLUDING BOTH CINEMAG TRANSFORMERS AND THE DISCRETE OPAMPS. GREAT FOR GUITARS, BASS, KEYBOARDS AND OTHER INSTRUMENTS THAT HAVE A 1/4″ OUTPUT JACK 80HZ HIPASS FILTER POLARITY REVERSE UTILIZES PREMIUM GRADE CINEMAG USA TRANSFORMERS 48V PHANTOM POWER OUTPUT ATTENUATION ALLOWS FOR SATURATION FLEXIBILITY OF BOTH OPAMPS AND TRANSFORMERS ¼” INSERT FOR THE USE OF INLINE COMPRESSORS, EQ’S ETC BALANCED XLR MIC (FRONT AND BACK), BALANCED TRS LINE, AND ¼” UNBALANCED INSTRUMENT INPUTS BALANCED XLR AND TRS OUTPUTS -20DB PAD LED VU METER 19″ RACKMOUNTABLE SWITCHABLE 115/230 VOLT IEC POWER INLET. CAPACITOR SELECTION BETWEEN TANTALUM AND ELECTROLYTIC FOR DIFFERENT CHARACTERS

The Warm Audio TB12 Tone Beast Microphone Preamplifier is designed to provide a wide range of tonal options for mic, instrument, and line-level sources, making it an indispensable tool for audio engineers, producers, and muscians. The TB12 is capable of up to 71 dB of input gain, and employs an output attenuator allowing you to drive your input signal harder for color and saturation while keeping your signal from peaking. The TB12 Tone Beast lives up to its name by allowing you to select between two different discrete op-amps, two different output transformers that can be bypassed altogether, two input impedance settings for dynamic, condenser, or ribbon mic optimization, and two different capacitors. The preamp is capable of producing colored, vintage-style tones with early break up and clean, transparent modern tones. Thanks to its front-panel Hi-Z instrument input, the preamp can be used to record DI tracks, while the rear-panel 1/4″ line input allows you to use the TB12 to provide color or warm up previously recorded tracks. The rear-panel insert send and receive 1/4″ connectors let you integrate an external signal processor, such as an EQ or compressor, into the TB12’s signal flow before the output transformers. The unit features 48V phantom power, a high-pass filter at 80 Hz, a 20 dB pad, and a polarity reverse switch. Features: Mic, Instrument & Line Inputs Up to 71 dB of Gain Output Gain Attenuator Switchable Discrete Op-Amp Switchable Input Impedance Switchable Output Transformer Switchable Capacitor 48V, Polarity Switch, 20 dB Pad More Features: Unleash The Beast! The TB12 Tone Beast Black is a fully professional preamp design with loads of gain that can effortlessly capture an array of sources very well. It is a swiss army knife full of options and tones. With top notch CineMag transformers and multiple discrete signal paths, it’s hard to beat the Tone Beast’s big, bold, fully-professional sound at this price. The Tone Beast Black is a mic pre that likes to be pushed and when pushed will colorize your signal ever so sweetly. The 2 opamps and 2 output transformers at the flip of their switches won’t appear to be much different, but as one drives the pre into harmonic distortion, the unique character of each of these components becomes apparent. The Tone Beast Black is customizable and allows users to source and swap in their own opamps. The output control on the TB12 allows you to limit the signal exiting the preamp even when pushing the gain to really hot levels, giving you maximum control. When designing the TB12 Tone Beast Black our goal was to make a microphone preamplifier affordable and jam packed full of options, without compromising the quality and design parameters that make this type of microphone preamplifier so desirable. Premium Components The TB12 “Tone Beast Black” is a fully discrete, high-voltage microphone preamplifier, utilzing CineMag USA Transformers. Have no fear of hurting the Beast, you can push it very hard into full-on distortion if you wish, and these can sound quite nice on electric guitar, bass or anything else that likes some grit. The different component options in the TB12 are subtle, but when driven into saturation are noticeable and can make a big difference to the way your final mix will sound. Home-based musicians and professional studios alike will find the Tone Beast Black to be an extremely powerful and fully professional piece of gear that is capable of warming and shaping signals/mixes in a way that is very pleasing to the ear. Specs: 71DB OF GAIN TRANSFORMER SELECTION PROVIDES BOTH STEEL AND 50% NICKEL CINEMAG OUTPUT TRANSFORMERS FOR VARYING CHARACTER TRANSFORMER BYPASS SWITCH ALLOWS FOR REMOVAL OF THE OUTPUT TRANSFORMER FROM THE CIRCUIT DISCRETE OPAMP SELECTION ALLOWS FOR CHOOSING BETWEEN A 1731(VINTAGE) AND 918(CLEANER) STYLE OPAMP. THESE ARE SOCKETED/SWAPPABLE WITH YOUR CHOICE OF 2520 6 PIN FOOTPRINT OPAMPS IMPEDANCE SWITCH LABELED TONE TO SWITCH BETWEEN 150 AND 600 OHMS INPUT IMPEDANCE 2 MEG OHM TRUE HI-Z INPUT ON FRONT PANEL SENDS INSTRUMENT SIGNAL THROUGH ENTIRE CIRCUIT INCLUDING BOTH CINEMAG TRANSFORMERS AND THE DISCRETE OPAMPS. GREAT FOR GUITARS, BASS, KEYBOARDS AND OTHER INSTRUMENTS THAT HAVE A 1/4″ OUTPUT JACK 80HZ HIPASS FILTER POLARITY REVERSE UTILIZES PREMIUM GRADE CINEMAG USA TRANSFORMERS 48V PHANTOM POWER OUTPUT ATTENUATION ALLOWS FOR SATURATION FLEXIBILITY OF BOTH OPAMPS AND TRANSFORMERS ¼” INSERT FOR THE USE OF INLINE COMPRESSORS, EQ’S ETC BALANCED XLR MIC (FRONT AND BACK), BALANCED TRS LINE, AND ¼” UNBALANCED INSTRUMENT INPUTS BALANCED XLR AND TRS OUTPUTS

The Warm Audio Fen-Tone is a premium single ribbon microphone inspired by the classic ribbon mics of the 1950s, purpose-built for capturing instruments with vintage warmth and clarity. With its sleek pencil-style body and dual-mode operation, the Fen-Tone offers high-end tone and modern performance versatility in a compact, studio-ready form. At the heart of the Fen-Tone is a 1.8-micron pure aluminum ribbon—custom-made in Japan—suspended in a rare-earth Neodymium magnet structure. This precise combination delivers a tight low-end, lush mids, and silky highs, ideal for electric guitars, horns, drums, and pianos. A CineMag USA transformer adds vintage analog coloration, while the built-in Warm Lifter 26dB JFET preamp offers increased headroom and output when needed, switchable via onboard toggle. Whether you're recording at high SPL or need pristine detail from quieter sources, the Fen-Tone performs beautifully in both passive and active (+dB) modes. Its figure-8 polar pattern ensures natural room capture and accurate instrument imaging, while its low-profile design makes it easy to position in tight spaces. Key Features: Classic Ribbon Tone: Inspired by vintage 1950s ribbon microphones Custom Japanese Ribbon: 1.8μm aluminum for precise, consistent performance CineMag Transformer: Adds warm, vintage character and clean signal output Neodymium Magnet: Delivers high output with accurate transient response Dual Modes: Passive (VT) and Active (+dB) with 26dB of onboard analog gain Figure-8 Polar Pattern: Ideal for stereo setups and room ambience Compact Design: Easy positioning for amps, drums, brass, acoustic instruments Built Tough: Rugged metal housing for studio and stage durability Whether you're tracking guitar cabinets, overheads, brass, or even vocals, the Fen-Tone offers professional-grade ribbon sound with flexible modern control.